Art Tatum – The Art Tatum Collection 1932-47 (4-CD Set)

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Description

Release Date:  2021

Label:  Acrobat Music

 

Track List

Disc 1

1. Strange As It Seems    Adelaide Hall
2. Tiger Rag (5 Aug. 1932)    Art Tatum
3. Tea For Two (21 Mar. 1933)    Art Tatum
4. St. Louis Blues (21 Mar. 1933)    Art Tatum
5. Sophisticated Lady    Art Tatum
6. Moonglow    Art Tatum
7. When A Woman Loves A Man    Art Tatum
8. Emaline (22 Aug. 1934)    Art Tatum
9. Love Me (22 Aug. 1934)    Art Tatum
10. Cocktails For Two (22 Aug. 1934)    Art Tatum
11. Ill Wind    Art Tatum
12. The Shout    Art Tatum
13. Liza    Art Tatum
14. I Would Do Anything For You    Art Tatum
15. After You’ve Gone (9 Oct. 1934)    Art Tatum
16. Star Dust    Art Tatum
17. I Ain’t Got Nobody    Art Tatum
18. Beautiful Love    Art Tatum
19. Body And Soul (Feb 26 1937)    Art Tatum And His Swingsters
20. With Plenty Of Money And You    Art Tatum And His Swingsters
21. What Will I Tell My Heart?    Art Tatum And His Swingsters
22. I’ve Got My Love To Keep Me Warm    Art Tatum And His Swingsters
23. Gone With The Wind    Art Tatum
24. Stormy Weather    Art Tatum
25. The Sheik Of Araby    Art Tatum

Disc 2

1. Chloe [Song Of The Swamp]    Art Tatum
2. Tea For Two (12 Apr. 1939)    Art Tatum
3. Deep Purple    Art Tatum
4. Elegie    Art Tatum
5. Humoresque    Art Tatum
6. Sweet Lorraine    Art Tatum
7. Get Happy    Art Tatum
8. Lullaby Of The Leaves    Art Tatum
9. Tiger Rag (22 Feb. 1940)    Art Tatum
10. Emaline (22 Feb. 1940)    Art Tatum
11. Love Me (22 Feb. 1940)    Art Tatum
12. Cocktails For Two (22 Feb. 1940)    Art Tatum
13. St. Louis Blues (22 Feb. 1940)    Art Tatum
14. Begin The Beguine    Art Tatum
15. Rosetta    Art Tatum
16. (Back Home Again In) Indiana (26 Jul. 1940)    Art Tatum
17. Wee Baby Blues    Art Tatum And His Band
18. Stompin’ At The Savoy     Art Tatum And His Band
19. Last Goodbye Blues    Art Tatum And His Band
20. Battery Bounce     Art Tatum And His Band
21. Lucille    Art Tatum And His Band
22. Rock Me Mama    Art Tatum And His Band
23. Corrine Corrina    Art Tatum And His Band
24. Lonesome Graveyard Blues    Art Tatum And His Band

Disc 3

1. Lady Be Good    The Art Tatum Trio
2. Esquire Bounce    Leonard Feather’s All Stars
3. My Ideal    Leonard Feather’s All Stars
4. I Got Rhythm    The Art Tatum Trio
5. Honeysuckle Rose    The Art Tatum Trio
6. After You’ve Gone (5 Jan 1944)    The Art Tatum Trio
7. The Man I Love    The Art Tatum Trio
8. Dark Eyes [Otchitchornyia]    The Art Tatum Trio
9. Body And Soul (1 May 1944)    The Art Tatum Trio
10. I Know That You Know    The Art Tatum Trio
11. On The Sunny Side Of The Street    The Art Tatum Trio
12. Flying Home    The Art Tatum Trio
13. Boogie    The Art Tatum Trio
14. Topsy    The Art Tatum Trio
15. If I Had You    The Art Tatum Trio
16. Soft Winds    The Art Tatum Trio
17. Fine And Dandy    Art Tatum
18. It Had To Be You   Art Tatum
19. Ja-Da    Art Tatum
20. Where Or When (21 Dec. 1944)    Art Tatum
21. Sweet And Lovely    Art Tatum

Disc 4

1. Danny Boy    Art Tatum
2. Can’t Help Lovin’ That Man    Barney Bigard Sextet
3. Please Don’t Talk About Me When I’m Gone    Barney Bigard Sextet
4. Sweet Marijuana Brown    Barney Bigard Sextet
5. Blues For Art’s Sake    Barney Bigard Sextet
6. Hallelujah    Art Tatum
7. Poor Butterfly    Art Tatum
8. Song Of The Vagabonds    Art Tatum
9. Lover    Art Tatum
10. Memories Of You    Art Tatum
11. Runnin’ Wild    Art Tatum
12. Yesterdays    Art Tatum
13. The Kerry Dance    Art Tatum
14. She’s Funny That Way    Art Tatum
15. Gershwin Medley: Summertime, The Man I Love, I Got Plenty O’ Nut    Art Tatum
16. I’m Beginning To See The Light    Art Tatum
17. 9:20 Special    Art Tatum
18. Where Or When (21 Jan. 1946)    Art Tatum
19. (Back Home Again In) Indiana (21 Jan. 1946)    Art Tatum
20. Smoke Gets In Your Eyes    Art Tatum
21. Ain’t Misbehavin’    Art Tatum
22. Out Of Nowhere    Art Tatum
23. Cherokee    Art Tatum

 

Notes

Of all the pianists in the annals of jazz, Art Tatum is the one who is most often cited by the great pianists of the post-war era as a key influence and inspiration, his remarkable speed, dexterity, fluency and sheer relaxed mastery of the keyboard in his prolific interpretations of the standards from the Great American Songbook setting him apart from just about all of his peers. Developing his skill despite his blindness, he astounded observers, who marvelled at his technique, often saying that he sounded like two people playing. This great-value 93-track 4-CD set comprises a significant proportion of his recordings from his studio debut in 1932 through to 1947 – at that point he began recording for Capitol, and after that had a second substantial career phase recording for Norman Granz’s labels during the ‘50s. It primarily features solo recordings on the Brunswick, Decca, Asch and ARA labels as well as V-Disc recordings, plus trio and small band recordings for those labels as well as Comet, and recordings with the Barney Bigard Sextet for Black & White and other bonus offerings. It does not purport to be a complete or definitive cross-section of this first significant era of his career, but it’s certainly a substantial and representative showcase for one of the great piano stylists of the genre.