Description
Release Date: 2006
Label: Sepia Records
Track List
1 Begin The Beguine 2:37
2 Believe It Beloved 2:16
3 I Know What It Means To Be Lonesome 2:52
4 Someone Stole My Darlin’ 3:20
5 My Little Nest Of Heavenly Blue 3:06
6 Where There’s Smoke There’s Fire 3:07
7 It Made Me Happy When You Made Me Cry 2:36
8 Singin’ The Blues 2:56
9 With One Red Rose 2:38
10 Main Street On Saturday Night 2:40
11 You Need Some Lovin’ 2:24
12 I’m Gonna Sit Right Down And Write Myself A Letter 2:39
13 I Gotta Right To Sing The Blues 2:19
14 The Heebie Jeebie Blues 2:15
15 The Right Kind Of Man 2:24
16 Someday, Sweetheart 2:36
17 Baby, Won’t You Please Come Home 2:33
18 Call Me Darling 2:11
19 The Philadelphia Waltz 2:43
20 T-E-N-N-E-S-S-E-E 2:45
21 If I Give My Heart To You 2:52
22 How Important Can It Be? 2:49
23 Fill My Heart With Happiness 2:44
24 Our Lady Of The Highway 2:47
25 Don’t Believe Everyone’s Your Friend 2:51
26 Mind If I Tag Along 2:38
27 I Compare You 2:38
28 No Other One 2:45
Notes
One of the finest jazz singers of the 1930s, Connee Boswell (who was always cited by Ella Fitzgerald as her main early influence) originally rose to fame as a member of the Boswell Sisters, one of the premiere jazz vocal groups. Boswell contracted polio as an infant and always used a wheelchair, although her disability was usually well covered up on-stage. Early on she played cello, piano, alto sax, and trombone but unfortunately never recorded on any instruments. The three Boswell Sisters (with Martha on piano and Vet on violin) did have an opportunity to perform with the New Orleans Philharmonic but soon they gave up playing their instruments (except for Martha on piano) and chose to work on developing as a vocal group. Although they recorded both “Nights When I’m Lonely” and Connee’s solo number “I’m Gonna Cry” in 1925, the Boswells did not begin catching on (and recording regularly) until late 1930. During 1931-1936 the Boswell Sisters became quite popular on radio and in concert, making occasional appearances in films (most notably 1932’s The Big Broadcast). During the same period, Connee (who worked out most of the Boswell’s surprising arrangements) occasionally recorded solo sides of her own. When Vet and Martha got married and decided to retire from singing in 1936, Connee (who also was married during the same period) officially launched her own solo career. Although she never broke through to become a major star, Connee Boswell was fairly well-known and worked steadily into the ’50s, appearing in some films (including Kiss the Boys Goodbye and Syncopation) and on the short-lived television show Pete Kelly’s Blues.
