Description
*This is a Vinyl LP*
Release Date: 2005
Label: Fat Possum Records
Track List
Side A
- Iggy and the Stooges – You Better Run Version #1
- Spiritualized – Sad Days Lonely Nights
- Blues Explosion – Meet Me In The City
- Heartless Bastards – Done Got Old
Side B
- The Black Keys – My Mind Is Ramblin’
- Pete Yorn – I Feel Good Again
- Entrance and Cat Power – Do The Romp
- The Fiery Furnaces – I’m Leaving
Side C
- Mark Lanegan – All Night Long
- Thee Shams – Release Me
- Jim White – Done Got Old
- Outrageous Cherry – Lord Have Mercy On Me
Side D
- Whitey Kirst – Pull Your Clothes Off
- Jack Oblivian – I’m In Love With You
- The Ponys – Burn In Hell
- Iggy and the Stooges – You Better Run Version #2
Review
If rock & roll is the bastard child of the blues, it’s only one of many. Junior Kimbrough was rumored to have sired 36 children before his passing in 1998, but on this tribute CD, Fat Possum Records brings together 15 of bluesman Kimbrough’s spiritual bastards, including some absolute legends of underground rock. Opening and closing with two different versions of “You Better Run,” the reunited Iggy & the Stooges go straight for the throat, as would be expected. More surprising are the contributions from Spiritualized, who complete their transition from space-age gospel shoegazers to the blues-rock already hinted at in recent recordings, while the Blues Explosion pass on their well-known punkified yelp in exchange for a more straight rendition of “Meet Me in the City.” Other rockers well-known for their blues roots are the Black Keys and Screaming Trees/Queens of the Stone Age vocalist Mark Lanegan, who’s lesser known cover of Leadbelly’s “Where Did You Sleep Last Night” inspired the infamous Nirvana unplugged version. The loosest recording comes from U.K. youngsters the Fiery Furnaces. Their version of “I’m Leaving” showcases Eleanor Friedberger’s impressive juke-joint voice while brother Matthew Friedberger’s quick-fingered guitar playing is the most skillful on display. It is inspiring that yet another generation of unkempt rockers are aware of the quickly disappearing blues’ originals, and occasionally even up-stage the elder rockers, all of whom, of course, Kimbrough would have considered young’uns. Joshua Glazer
